~~~ An Exclusive Night with MONO (Japan) ~~~

Inside the venue :

Presale :
Balcony Rp. 275.000
VIP Rp. 360.000
Normal :
Balcony Rp. 330.000
VIP Rp. 440.000
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..:: they make music and the lyric is in our mind ::...
Hymn to the Immortal Wind is the fifth album by the Japanese post-rock band Mono, to be released March 24, 2009. The album was recorded and mixed in June and November 2008 at the Electrical Audio Recording Studios, Chicago, Illinois, by Steve Albini. A music video for the fifth track, Follow the Map, has been released to promote the album.
Just in time for their 10-year anniversary, MONO return with their fifth studio album, the absolutely massive Hymn To The Immortal Wind. The music is naturally majestic, with MONO's trademark wall of noise crashing beautifully against the largest chamber orchestra the band has ever enlisted. The instrumentation is vast, incorporating strings, flutes, organ, piano, glockenspiel and tympani into their standard face-melting set-up.
While Hymn continues to mine the cinematic drama inherent in all of MONO's music, the dynamic shifts now come more from dark-to-light instead of quiet-to-loud. The maturity to balance these elements so masterfully has become MONO's strongest virtue - save for perhaps their uncanny ability to sound every bit like a plane crashing into a Beethoven concert.
Recorded to analog tape with long-time friend and producer Steve Albini, there is an intimacy captured here that is at once beautiful and a little terrifying. The creaking of old wooden chairs as the orchestra rocks in their seats (both literally and figuratively), puckered lips rolling along flutes, and even the conductor’s opening cue can be heard during the hauntingly quiet opening moments.
The album is a full return to all of the big sounds that we’ve come to know from Mono. These guys don’t mess around, it’s always a full delivery above and beyond the call of duty. Listen to the songs and decide for yourself.
Mono were founded in January 2000 by guitarist Takaakira Goto. Working by himself, Goto completed most of Mono's demo tracks, partly influenced by guitarist Loren Connors. By late 1999 Goto began the search for band members; the first to join was fellow guitarist and long time friend Yoda. Soon afterwards the two guitarists linked up with bassist Tamaki and drummer Yasunori Takada. The group soon released a 4 track EP entitled Hey, You on the small independent label Forty-4.
Following Hey, You Mono put together its first full length album, Under the Pipal Tree in 2001 on Tzadik Records. Under the Pipal Tree, along with the EP, introduced Mono's style, which is focused on layered guitar melodies. All of Mono's songs are entirely instrumental, and Strings and pianos are also prominently featured in several songs. Under the Pipal Tree was met with somewhat mixed reviews and was referred to by Goto in a 2006 interview with Phil McMullen as a "very, very young album"[1]. Whilst recording the album, the September 11th attacks took place, which were to have a significant effect on Mono's later work.
In 2002, Mono finished their second album, One Step More and You Die. Many critics considered this as having a more distinctive sound than the preceding album. An abbreviated tour in parts of New York and Sweden took place after the album's release. The length of the tour and the behavior of some of the American crowds, who Goto said in the McMullan interview were "always talking a lot and drinking beers and making a lot of noise" left the band somewhat unsatisfied.
Soon afterward, Mono moved on to a new project in direct response to the aftermath of September 11th. This album was titled New York Soundtracks and was recorded in collaboration with several important members of the New York experimental scene, such as DJ Olive, Jackie-O Motherfucker, and Loren Connors. New York Soundtracks consists of remixes of all of One Step More and You Die's tracks.
Following Soundtracks, Mono embarked on the production of their next album, Walking Cloud and Deep Red Sky, Flag Fluttered and the Sun Shined which was released on October 5, 2004. There is much back story to this album, especially behind one of its songs, A Thousand Paper Cranes. The inspiration for this song was the story of Sadako Sasaki, a young girl from Hiroshima who contracted leukemia at the age of 13, dying shortly afterwards. While in her hospital bed, Sadako attempted to fold one thousand paper cranes, which, according to Japanese folklore, had once cured a girl of disease. Following the release of this album, Mono began a lengthy world tour.
On June 24, 2006, Mono released their next album, You Are There. You Are There met similar success to Palmless Prayer / Mass Murder Refrain and was accompanied by worldwide tours throughout 2006 and 2007.
A collection of EPs entitled "Gone", as well as a 100 minute long documentary called "The Sky Remains the Same as Ever", were released in late 2007.
Mono, like most bands associated with the underground music scene, tries to maintain a strong relationship with their fans. Goto, in a recent interview with Semtex Magazine, pointed out that for Mono, promotion is not a priority, they tour "to meet the crowd".